Wednesday, May 22, 2013

Study led by GW professor provides better understanding of water's freezing behavior at nanoscale

Study led by GW professor provides better understanding of water's freezing behavior at nanoscale [ Back to EurekAlert! ] Public release date: 21-May-2013
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Contact: Joanne Welsh
jwelsh@gwu.edu
202-994-2050
George Washington University

The results of a new study led by George Washington University Professor Tianshu Li provide direct computational evidence that nucleation of ice in small droplets is strongly size-dependent, an important conclusion in understanding water's behavior at the nanoscale. The formation of ice at the nanoscale is a challenging, basic scientific research question whose answer also has important implications for climate research and other fields.

The crystallization of ice from supercooled water is generally initiated by a process called nucleation. Because of the speed and size of nucleationit occurs within nanoseconds and nanometersprobing it by experiment or simulation is a major challenge.

By using an advanced simulation method, Dr. Li and his collaborators, Davide Donadio of Germany's Max Planck Institute for Polymer Research, and Giulia Galli, a professor of chemistry and physics at the University of California, Davis, were able to demonstrate that nucleation of ice is substantially suppressed in nano-sized water droplets. Their paper, "Ice nucleation at the nanoscale probes no man's land of water," was published today in the journal Nature Communications.

"A current challenge for scientists is to unveil water's behaviors below -35 degrees Celsius and above -123 degrees Celsius, a temperature range that chemists call 'no man's land,' " said Dr. Li, a professor of civil and environmental engineering at the George Washington University School of Engineering and Applied Science. "Fast ice crystallization can hardly be avoided at such low temperatures, so maintaining water in a liquid state is a major experimental challenge."

Since the frequency of ice nucleation scales with the volume of water, one of the strategies for overcoming this kinetic barrier is to reduce the volume of water. However, this raises the question of whether water at the nanoscale can still be regarded as equivalent to bulk water, and if not, where that boundary would be.

The team's results answer this question. By showing that the ice nucleation rate at the nanoscale can be several orders of magnitude smaller than that of bulk water, they demonstrate that water at such a small scale can no longer be considered bulk water.

"We also predict where this boundary would reside at various temperatures," Dr. Li said. The boundary refers to the size of the droplet where the difference vanishes. The team's findings will help with the interpretation of molecular beam experiments and set the guidelines for experiments that probe the 'no man's land' of water.

The results are also of importance in atmospheric science, as they may improve the climate model of the formation of ice clouds in upper troposphere, which effectively scatter incoming solar radiation and prevent earth from becoming overheated by the sun. The results have important implications in climate control research, too. One of the current debates is whether the formation of ice occurs near the surface or within the micrometer-sized droplets suspended in clouds. If it is the former, effective engineering approaches may be able to be taken to tune the surface tension of water so that the ice crystallization rate can be controlled.

"Our results, indeed, support the hypothesis of surface crystallization of ice in microscopic water droplets," Dr. Li said. "Obtaining the direct evidence is our next step."

###

GW School of Engineering and Applied Science

GW's School of Engineering and Applied Science prepares engineers and applied scientists to address society's technological challenges by offering outstanding undergraduate, graduate and professional educational programs, and by providing innovative, fundamental and applied research activities. The school has five academic departments, 11 research centers, 90 faculty and more than 2,500 undergraduate and graduate students. Core areas of academic excellence include biomedical engineering, cybersecurity, high performance computing, nanotechnologies, robotics and transportation safety engineering.


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AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Study led by GW professor provides better understanding of water's freezing behavior at nanoscale [ Back to EurekAlert! ] Public release date: 21-May-2013
[ | E-mail | Share Share ]

Contact: Joanne Welsh
jwelsh@gwu.edu
202-994-2050
George Washington University

The results of a new study led by George Washington University Professor Tianshu Li provide direct computational evidence that nucleation of ice in small droplets is strongly size-dependent, an important conclusion in understanding water's behavior at the nanoscale. The formation of ice at the nanoscale is a challenging, basic scientific research question whose answer also has important implications for climate research and other fields.

The crystallization of ice from supercooled water is generally initiated by a process called nucleation. Because of the speed and size of nucleationit occurs within nanoseconds and nanometersprobing it by experiment or simulation is a major challenge.

By using an advanced simulation method, Dr. Li and his collaborators, Davide Donadio of Germany's Max Planck Institute for Polymer Research, and Giulia Galli, a professor of chemistry and physics at the University of California, Davis, were able to demonstrate that nucleation of ice is substantially suppressed in nano-sized water droplets. Their paper, "Ice nucleation at the nanoscale probes no man's land of water," was published today in the journal Nature Communications.

"A current challenge for scientists is to unveil water's behaviors below -35 degrees Celsius and above -123 degrees Celsius, a temperature range that chemists call 'no man's land,' " said Dr. Li, a professor of civil and environmental engineering at the George Washington University School of Engineering and Applied Science. "Fast ice crystallization can hardly be avoided at such low temperatures, so maintaining water in a liquid state is a major experimental challenge."

Since the frequency of ice nucleation scales with the volume of water, one of the strategies for overcoming this kinetic barrier is to reduce the volume of water. However, this raises the question of whether water at the nanoscale can still be regarded as equivalent to bulk water, and if not, where that boundary would be.

The team's results answer this question. By showing that the ice nucleation rate at the nanoscale can be several orders of magnitude smaller than that of bulk water, they demonstrate that water at such a small scale can no longer be considered bulk water.

"We also predict where this boundary would reside at various temperatures," Dr. Li said. The boundary refers to the size of the droplet where the difference vanishes. The team's findings will help with the interpretation of molecular beam experiments and set the guidelines for experiments that probe the 'no man's land' of water.

The results are also of importance in atmospheric science, as they may improve the climate model of the formation of ice clouds in upper troposphere, which effectively scatter incoming solar radiation and prevent earth from becoming overheated by the sun. The results have important implications in climate control research, too. One of the current debates is whether the formation of ice occurs near the surface or within the micrometer-sized droplets suspended in clouds. If it is the former, effective engineering approaches may be able to be taken to tune the surface tension of water so that the ice crystallization rate can be controlled.

"Our results, indeed, support the hypothesis of surface crystallization of ice in microscopic water droplets," Dr. Li said. "Obtaining the direct evidence is our next step."

###

GW School of Engineering and Applied Science

GW's School of Engineering and Applied Science prepares engineers and applied scientists to address society's technological challenges by offering outstanding undergraduate, graduate and professional educational programs, and by providing innovative, fundamental and applied research activities. The school has five academic departments, 11 research centers, 90 faculty and more than 2,500 undergraduate and graduate students. Core areas of academic excellence include biomedical engineering, cybersecurity, high performance computing, nanotechnologies, robotics and transportation safety engineering.


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AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Source: http://www.eurekalert.org/pub_releases/2013-05/gwu-slb052113.php

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Tuesday, May 21, 2013

Qualcomm demos next-gen 2,560 x 1,440 Mirasol display (hands-on video)

Qualcomm demos nextgen 2,560 x 1,440 Mirasol display handson video

We haven't heard about Mirasol for a while now, but Qualcomm's reflective display tech showed up in a few proof-of-concepts on the SID Display Week floor. We got a look at a previously announced 1.5-inch panel embedded on the top of an "always-on" smartphone and on the face of a smartwatch. Though a rep took care to emphasize that these were just mockups, he said the screen will soon show up in some third-party devices.

More interesting, though, was the company's next-gen display: a 5.1-inch panel sporting a stunning 2,560 x 1,440 (577 ppi) resolution. Viewed up close, it delivers crisp images, but the reflective display kicks back a silvery tint and colors don't pop as they do on other handsets. But while the sky-high pixel count may not tell the whole story, the screen offers one huge plus: a 6x power advantage over LCD and OLED displays. In practical terms, that means devices could go days without charging. Don't expect to see this guy in your next smartphone, though: by "next-gen," Qualcomm means this tech has a few more years in the R&D phase before it'll be ready to hit a licensee's production line. For now, make do with our hands-on video after the break.

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Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/28F5tpDt8gU/

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Giants' Vogelsong wins at last but injures hand

San Francisco Giants starting pitcher Ryan Vogelsong grabs his hand after being hit by a pitch against the Washington Nationals during the fifth inning of a baseball game on Monday, May 20, 2013 in San Francisco. Vogelsong left the game after the game. (AP Photo/Marcio Jose Sanchez)

San Francisco Giants starting pitcher Ryan Vogelsong grabs his hand after being hit by a pitch against the Washington Nationals during the fifth inning of a baseball game on Monday, May 20, 2013 in San Francisco. Vogelsong left the game after the game. (AP Photo/Marcio Jose Sanchez)

San Francisco Giants starting pitcher Ryan Vogelsong throws to the Washington Nationals during the first inning of a baseball game on Monday, May 20, 2013 in San Francisco. (AP Photo/Marcio Jose Sanchez)

San Francisco Giants starting pitcher Ryan Vogelsong throws to the Washington Nationals during the first inning of a baseball game on Monday, May 20, 2013 in San Francisco. (AP Photo/Marcio Jose Sanchez)

Washington Nationals shortstop Ian Desmond (20) forces out San Francisco Giants' Andres Torres (56) at second base after a ground ball from Brandon Crawford during the fourth inning of a baseball game on Monday, May 20, 2013 in San Francisco. (AP Photo/Marcio Jose Sanchez)

Washington Nationals starter Zach Duke, second from left, is pulled from the game by manager Davey Johnson, second from right, during the fourth inning of a baseball game on Monday, May 20, 2013 in San Francisco. (AP Photo/Marcio Jose Sanchez)

(AP) ? Ryan Vogelsong felt the best he had in months, then it all ended on one painful swing.

The right-hander broke his throwing hand chasing an inside fastball after pitching himself toward his first win in seven starts, and the San Francisco Giants returned from a terrible road trip to beat the Washington Nationals 8-0 on Monday night.

Vogelsong was injured while fouling a ball off his hand in the fifth inning. He grimaced in pain while grabbing the hand ? knowing immediately it was serious. He was quickly examined near the batter's box and left the game.

Vogelsong broke two bones along the right pinkie and dislocated a knuckle the area that the medical staff couldn't get popped back into place. He was scheduled for surgery Tuesday morning at Stanford and said he likely would have pins inserted to stabilize the hand and help speed the healing process.

"We're not talking about Tommy John or anything here," Vogelsong said, his eyes misty. "Basically as fast as we can get it to heal so I can start throwing again."

Nationals manager Davey Johnson announced after the game that reliever Ryan Mattheus broke his pitching hand punching a locker in frustration Sunday. The right-hander allowed five runs in one inning of Washington's 13-4 loss to the San Diego Padres, but didn't tell the team about the injury until just before Monday's game.

"Last night after the game he came in and was in the locker room and banged his glove against his locker with his hand in it," Johnson said. "His hand didn't swell up but when he went out to throw today his hand swelled up and he couldn't throw the ball."

Vogelsong (2-4) snapped a six-start winless stretch with just his second victory of 2013 and first since April 11 against the Cubs at Wrigley Field and seemed back on track.

He walked off to warm ovation as Nick Noonan pinch hit. Vogelsong allowed three hits in five scoreless innings and lowered his ERA from 8.06 to 7.19.

"It's really a shame because tonight was the Vogey that we know, the way he threw all of last year, good stuff," manager Bruce Bochy said. "It's a tough one. I feel bad for him. I know he felt really good tonight. You've got to deal with these things. He'll be back, hopefully, in a couple months."

Brandon Belt hit a solo home run, matched his career best with four hits and scored three runs as San Francisco pounded a season-high 17 hits. Angel Pagan hit an RBI double and two-run single for San Francisco, also making a great leaping catch against the center-field wall.

Andres Torres had three hits and drove in a run and Marco Scutaro added an RBI single among his two hits.

Vogelsong got the defensive gem from Pagan when the center fielder slammed into the wall on Adam LaRoche's deep fly in the second.

The 2011 All-Star ended a six-start winless stretch in which he had lost his last two outings and gone 0-3. He was tagged for eight runs ? three earned ? and six hits in two innings for his shortest outing of the year last Wednesday at Toronto.

"It was awesome," Belt said. "The special thing about this team is everybody roots for everybody. We were as happy for him as can be, and it's tough to see him go down like this. But we know he'll be back, and strong and ready to go."

Javier Lopez took over for Vogelsong in the top of the sixth and received a little bit more warm up time. Three more relievers finished for the Giants' sixth shutout. San Francisco snapped a three-game skid after a 1-5 road trip through Toronto and Colorado.

The Giants have until next Tuesday before they need a fifth starter.

Bryce Harper went 0 for 4 in his return to the Nationals' lineup after last season's NL Rookie of the Year missed two games with a bruised left knee. He was hurt in a hard collision with the outfield wall a week earlier at Dodger Stadium that also caused him to need 11 stitches on his chin.

Left-hander Zach Duke (0-1) lasted just 3 1-3 innings in a spot start for Ross Detwiler, who is sidelined with back spasms. Duke allowed four runs and seven hits in his first start of the year.

Washington was shut out for the sixth time.

Vogelsong retired the first eight Nationals hitters in order.

The right-hander lasted only 2 2-3 innings in his first career start against Washington last year, allowing eight runs on nine hits with two walks.

"That's the best I've felt in a long time, from a mental aspect, physical aspect, everything felt good," he said. "It was nice to be able to get out there and have everything I've been working on for the last couple weeks kind of fall into place. From that standpoint it's a good place to start when I come back."

Scutaro extended his hitting streak to 18 games with a third-inning single. The second baseman fielded Roger Bernadina's grounder in the fifth but dropped the ball in exchange from glove to hand, for the Giants' 15th error in their last eight games.

Notes: Nationals OF Jayson Werth, on the 15-day disabled list with a strained right hamstring, is expected to need at least two more weeks to heal after a second MRI showed he "has some problems in there," Johnson said. "He's going to rest a bit." ... A moment of silence was held for the Oklahoma tornado victims before the national anthem. ... RHP Matt Cain (3-2) starts for the Giants in Tuesday night's middle game against righty Stephen Strasburg (2-5). ... San Francisco's Buster Posey has hit safely in 11 of his last 12. ... Belt's homer was the Giants' 21st at home. Last season through their first 23 games at AT&T Park, they had hit just six HRs.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/347875155d53465d95cec892aeb06419/Article_2013-05-21-BBN-Nationals-Giants/id-9418a783180a4e4d8e806a04bb2d8dbc

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Monday, May 20, 2013

Angelina Jolie's Double Mastectomy Highlights the Inequity In ...

AngelinaFirst, let me say this: I think that?Angelina Jolie?s?decision to have a preventative double mastectomy to address her exceptionally high risk of breast cancer and buy more time to be a mother to her children was brave. So, too, was her sharing that decision publicly, and using it to frame a much-needed discussion about cancer, treatment options and affordable healthcare for women.

Problem is, the mainstream TV shows, newspapers and websites reporting on Angelina?s decision were so focused on the A-list actress?s breasts that all-too-many seemed to miss the larger point entirely: gene testing, preventative mastectomies and breast reconstruction?hell, options for preventing, treating and surviving breast cancer?is an affluent and mostly white woman?s bet, one that eludes poor and working women of color with little to no insurance, job security and the cash needed to buy those options.

Credit due to Angelina for at least trying to start the conversation in her?New York Times op-ed, in which she detailed her discovering her breast cancer probability through gene testing:

I am writing about it now because I hope that other women can benefit from my experience. Cancer is still a word that strikes fear into people?s hearts, producing a deep sense of powerlessness. But today it is possible to find out through a blood test whether you are highly susceptible to breast and ovarian cancer, and then take action?

Breast cancer?alone kills some 458,000 people each year, according to the World Health Organization, mainly in low- and middle-income countries. It has got to be a priority to ensure that more women can access gene testing and lifesaving preventive treatment, whatever their means and background, wherever they live. The cost of testing for BRCA1 and BRCA2, at more than $3,000 in the United States, remains an obstacle for many women.

All up in between those lines was Angelina?s acknowledgement that there are options for identifying and preventing breast cancer, but you?ve got to have the cash to get it done. The test, alone, would be completely inaccessible, to, say the grocery store worker who brings home a paltry $400 a week after taxes, which makes it hard for her to afford even a simple mammogram. And trust: the school janitor, or the sister at the McDonald?s drive-thru or your auntie answering phones at that secretarial job wouldn?t be able to secure the three months needed to have her breasts removed, heal from the surgery and then go back under the knife for reconstructive surgery and implants?no matter how many of the relatives that came before her were diagnosed with, treated for or died from breast cancer.? Those who lord over blue collar workers aren?t nearly as understanding as, say, a Hollywood producer or a company president who can spare a top manager.

Truth be told, a woman of color or of limited means would have a higher chance of having her breast cancer detected late because insurance doesn?t want to cover the screening, and dying because said company would be more concerned about treating the disease on the cheap rather than to make sure that the patient got the world-class service that Angelina got. Indeed, when it comes to women of color, the news is all the more dire: research presented by The?American Association for Cancer Research?just last month suggested that tumor makeup and methods for treating them may vary by race. This is a reality that makes it harder to treat breast cancer in black women, simply because race-specific research is scarce and black women are woefully absent from mainstream studies that focus mainly on white women. Add poverty, silence and racial inequalities to the mix and it?s no wonder that beast cancer mortality rates for women of color continue to soar.

Mind you, all of this is happening, despite that those pink ribbons are plastered on everything from eggs to panties, and billions of dollars have been collected in the name of?breast cancer research that cancer charities?claim will help prevent and ?find a cure? for the disease.

Wouldn?t it be awesome if those reporting on Angelina Jolie?s radical, preventative double mastectomy decision stopped doing slow pans of her boobs and actually focused on those things?things that actually affect the real-life health experience of the average American working woman? What a concept.

My Brown Baby

?

This post?originally appeared?on?My Brown Baby. Republished with permission.

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Source: http://www.clutchmagonline.com/2013/05/angelina-jolies-double-mastectomy-highlights-the-inequity-in-breast-cancer-treatment-for-blacks-poor/

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SKorea analyzing NKorea's 4 projectile launches

SEOUL, South Korea (AP) ? South Korea is analyzing whether projectiles North Korea fired into its eastern waters over the weekend are short-range missiles or a new type of artillery the country may be developing, officials said Monday.

North Korea fired what Seoul officials called a short-range projectile Sunday, a day after conducting three similar launches. South Korean officials earlier said the weapons fired on Saturday were guided missiles but later clarified that they may not be missiles, referring to the objects as "projectiles."

"There is a possibility that they are short-range missiles or large-caliber rockets with a similar ballistic trajectory," Defense Ministry spokesman Kim Min-seok told reporters.

Kim said North Korea may be developing such a large-caliber gun and South Korea is taking seriously whatever weapons the country develops because it could attack the South. He said an artillery gun with a bigger caliber will likely have more destructive power.

Officials were trying to find out what exactly the North fired Saturday and Sunday, a ministry official said on condition of anonymity citing department rules.

North Korea routinely test-launches short-range missiles. But the latest launches came amid some tentative signs of easing tension on the Korean Peninsula. Earlier this year, North Korea issued near-daily threats to attack South Korea and the U.S. to protest their annual joint military drills and U.N. sanctions imposed over its February nuclear test.

South Korea called the latest launches a provocation and urged the North to take responsible actions while the U.S. said threats or provocations would only further deepen North Korea's international isolation, while

The North has a variety of missiles but Seoul and Washington don't believe the country has mastered the technology needed to manufacture nuclear warheads that are small and light enough to be placed on a missile capable of reaching the U.S.

The Korean Peninsula officially remains in a state of war because the 1950-53 Korean War ended with an armistice, not a peace treaty.

Source: http://news.yahoo.com/skorea-analyzing-nkoreas-4-projectile-launches-031809748.html

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Cannes helps actors Bejo and Rahim cross borders

CANNES, France (AP) ? The magic and glamour of Cannes can be hard to spot on a day when rain is lashing the palm trees, roiling the gray Mediterranean and pooling in puddles along the Croisette.

But the world's leading film festival can transform careers ? something no one knows that better than actors Berenice Bejo and Tahar Rahim, stars of director Asghar Farhadi's festival entry "The Past."

Bejo shimmered on-screen in Cannes two years ago in "The Artist," her director husband Michel Hazanavicius' vivacious silent homage to Hollywood's Golden Age. It went on to win five Academy Awards, including best picture.

Rahim was the breakout star of the 2009 festival in Jacques Audiard's poetic and brutal prison drama "A Prophet," as a youth growing to manhood behind bars.

Cannes exposure helped boost both performers onto the international stage. While once most European actors could choose between stay at home and playing Hollywood villains, their paths suggest a more globalized movie world.

"It was quite a miracle for me," Bejo said Saturday, as rain drummed remorselessly on a Cannes rooftop lounge. "Two years ago my life changed a little bit in Cannes.

"I don't think Asghar Farhadi would have cast me in this movie if I hadn't done 'The Artist.'"

It's hard to think of two movie styles further apart than the flamboyant artifice of "The Artist" and the anatomically detailed domestic drama of "The Past"

Bejo plays Marie, a harried Frenchwoman with two children, a new boyfriend with a young son, and an Iranian ex who has returned after four years to finalize their divorce. Rahim is her boyfriend Samir, a man with complex family ties of his own.

All the characters are trying to move on ? but the past keeps dragging them back.

Bejo said she did a screen test for Farhadi, then didn't hear from him for a month, so initially thought she hadn't got the part.

"He said to me, I was looking into your face if I could see the doubt," she said. "I guess because he saw me in movies where I was quite positive, quite sunny, quite glamorous. He needed to see if I could show another part of myself ? and I guess he found it."

For Bejo, as for Rahim, working with the Iran director was a dream come true. "The Past" is the first film Farhadi has shot outside his homeland, and the actors say they loved his working methods ? two months of rehearsal to delve into character, break down barriers and forge bonds, followed by a four-month shoot.

With its Iranian director and largely French cast, it's one of several border-hopping movies at Cannes this year. French director Arnaud Desplechin's made-in-America "Jimmy P.: Psychotherapy of a Plains Indian" stars France's Mathieu Amalric and Puerto Rican actor Benicio Del Toro. Another French filmmaker, Guillaume Canet, has a multinational cast including Clive Owen, Billy Crudup and Marion Cotillard in his New York crime drama "Blood Ties."

It's a trend Bejo is happy to embrace.

"In America you have Christoph Waltz, you have Marion Cotillard," she said. "In France we have Italian and Spanish actors. ... I think it's great. We are used to strangers and foreign accents, and it's great that we can see that in our movies now."

Both she and Rahim have been busy since their Cannes breakthroughs. Bejo recently made French heist movie "The Last Diamond" and soon starts filming Hazanavicius' next project, a war movie set in Chechnya.

Rahim's projects include the English-language Roman-era adventure "The Eagle" and another movie appearing at Cannes this year, the nuclear power plant romance "Grand Central."

Coming up, he plays a cop in the French movie "The Informant," and is currently shooting a globe-spanning 1920s-set drama with Turkish-German director Fatih Akin, another pillar of culture-crossing cinema.

Despite the busy international career ? and post-"Prophet" expressions of interest from the United States ? Rahim says Hollywood remains a hard nut to crack for non-Anglophone actors.

"It's not what you expect at first," Rahim said. "You'd like to be with Michael Mann or (directors) like this, but you don't have those parts that easily. Because first you have to speak English, you have to erase your accent."

For now, he's just happy to be back in Cannes, an experience that is easier the second time around.

"The difference is that now I'm not afraid when I come here," he said. "I'm (saying) 'OK I'm going to take every good vibe and keep it.'"

___

Jill Lawless can be reached at http://Twitter.com/JillLawless

Source: http://news.yahoo.com/cannes-helps-actors-bejo-rahim-cross-borders-165726670.html

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Sunday, May 19, 2013

Cannes helps actors Bejo and Rahim cross borders

Actress Berenice Bejo poses for portraits at during the 66th international film festival, in Cannes, southern France, Saturday, May 18, 2013. (AP Photo/Laurent Emmanuel)

Actress Berenice Bejo poses for portraits at during the 66th international film festival, in Cannes, southern France, Saturday, May 18, 2013. (AP Photo/Laurent Emmanuel)

Actress Berenice Bejo poses for portraits at during the 66th international film festival, in Cannes, southern France, Saturday, May 18, 2013. (AP Photo/Laurent Emmanuel)

Actor Tahar Rahim arrives under his umbrella during a photo call for the film Grand Central at the 66th international film festival, in Cannes, southern France, Saturday, May 18, 2013. (AP Photo/Lionel Cironneau)

(AP) ? The magic and glamour of Cannes can be hard to spot on a day when rain is lashing the palm trees, roiling the gray Mediterranean and pooling in puddles along the Croisette.

But the world's leading film festival can transform careers ? something no one knows that better than actors Berenice Bejo and Tahar Rahim, stars of director Asghar Farhadi's festival entry "The Past."

Bejo shimmered on-screen in Cannes two years ago in "The Artist," her director husband Michel Hazanavicius' vivacious silent homage to Hollywood's Golden Age. It went on to win five Academy Awards, including best picture.

Rahim was the breakout star of the 2009 festival in Jacques Audiard's poetic and brutal prison drama "A Prophet," as a youth growing to manhood behind bars.

Cannes exposure helped boost both performers onto the international stage. While once most European actors could choose between stay at home and playing Hollywood villains, their paths suggest a more globalized movie world.

"It was quite a miracle for me," Bejo said Saturday, as rain drummed remorselessly on a Cannes rooftop lounge. "Two years ago my life changed a little bit in Cannes.

"I don't think Asghar Farhadi would have cast me in this movie if I hadn't done 'The Artist.'"

It's hard to think of two movie styles further apart than the flamboyant artifice of "The Artist" and the anatomically detailed domestic drama of "The Past"

Bejo plays Marie, a harried Frenchwoman with two children, a new boyfriend with a young son, and an Iranian ex who has returned after four years to finalize their divorce. Rahim is her boyfriend Samir, a man with complex family ties of his own.

All the characters are trying to move on ? but the past keeps dragging them back.

Bejo said she did a screen test for Farhadi, then didn't hear from him for a month, so initially thought she hadn't got the part.

"He said to me, I was looking into your face if I could see the doubt," she said. "I guess because he saw me in movies where I was quite positive, quite sunny, quite glamorous. He needed to see if I could show another part of myself ? and I guess he found it."

For Bejo, as for Rahim, working with the Iran director was a dream come true. "The Past" is the first film Farhadi has shot outside his homeland, and the actors say they loved his working methods ? two months of rehearsal to delve into character, break down barriers and forge bonds, followed by a four-month shoot.

With its Iranian director and largely French cast, it's one of several border-hopping movies at Cannes this year. French director Arnaud Desplechin's made-in-America "Jimmy P.: Psychotherapy of a Plains Indian" stars France's Mathieu Amalric and Puerto Rican actor Benicio Del Toro. Another French filmmaker, Guillaume Canet, has a multinational cast including Clive Owen, Billy Crudup and Marion Cotillard in his New York crime drama "Blood Ties."

It's a trend Bejo is happy to embrace.

"In America you have Christoph Waltz, you have Marion Cotillard," she said. "In France we have Italian and Spanish actors. ... I think it's great. We are used to strangers and foreign accents, and it's great that we can see that in our movies now."

Both she and Rahim have been busy since their Cannes breakthroughs. Bejo recently made French heist movie "The Last Diamond" and soon starts filming Hazanavicius' next project, a war movie set in Chechnya.

Rahim's projects include the English-language Roman-era adventure "The Eagle" and another movie appearing at Cannes this year, the nuclear power plant romance "Grand Central."

Coming up, he plays a cop in the French movie "The Informant," and is currently shooting a globe-spanning 1920s-set drama with Turkish-German director Fatih Akin, another pillar of culture-crossing cinema.

Despite the busy international career ? and post-"Prophet" expressions of interest from the United States ? Rahim says Hollywood remains a hard nut to crack for non-Anglophone actors.

"It's not what you expect at first," Rahim said. "You'd like to be with Michael Mann or (directors) like this, but you don't have those parts that easily. Because first you have to speak English, you have to erase your accent."

For now, he's just happy to be back in Cannes, an experience that is easier the second time around.

"The difference is that now I'm not afraid when I come here," he said. "I'm (saying) 'OK I'm going to take every good vibe and keep it.'"

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Jill Lawless can be reached at http://Twitter.com/JillLawless

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/4e67281c3f754d0696fbfdee0f3f1469/Article_2013-05-19-France-Cannes-Bejo%20and%20Rahim/id-8bb32ed1c196441a9d2d0e8963c2ab44

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